Displacement guides this Series. These paintings are constructed with century-old wood, serving as both physical structure and emotional vessel, holding memory, time, and experience. They appear as weathered windows or form reminiscent of the Middle Ages: shapes that have endured through time, remaining constant and unwavering.  Each fragment is re-contextualized through its relationship to the whole, allowing past and present to coexist within a renewed framework.

Balance is achieved through restraint and counterweight. The segmented wood carries visual weight through texture and history, while negative space actively shapes and defines the forms. Gaps and pauses allow the compositions to breathe, creating rhythm between solidity and hollowness. Equilibrium emerges not from symmetry, but from tension, where density is offset by openness and quiet.

Together, these elements create a state of suspension between instability and permanence. Each component retains its history while contributing to a narrative shaped by resilience and care. The work exists between what has endured and what is still becoming.